Redefining Modern Romance: An In-Depth Look at “Materialists”
When Hollywood’s brightest stars-such as Dakota Johnson, Pedro Pascal, and Chris Evans-grace the screen amidst the shimmering skyline of contemporary New York City, it often feels like stepping into a perfect romantic fantasy. Yet, the film “Materialists” challenges this idyllic notion, peeling back the glossy veneer to reveal the often uncomfortable truths lurking beneath the surface of modern love stories.
A New Genre Emerges: The Romantic Comedy with a Sharp Edge
Directed by Celine Song, whose previous work “Past Lives” garnered critical acclaim for its subtlety and depth, “Materialists” introduces a fresh take on the romantic comedy genre-what could be called the “rom-con.” Unlike traditional rom-coms that celebrate flirtation, serendipity, and happily-ever-after endings, this film is acutely aware of the cold calculations and societal pressures that frequently underpin contemporary dating. It’s a narrative that doesn’t shy away from exposing the less glamorous realities behind the pursuit of love.
The Central Characters and Their Interwoven Stories
At the heart of the story is Lucy, portrayed by Dakota Johnson, a seasoned Manhattan matchmaker working for a high-end dating service called Adore. Her role is to facilitate genuine connections for clients tired of superficial swipes and fleeting encounters. With nine marriages under her belt, Lucy is considered an expert-yet she remains resolutely single, embodying a paradox that many can relate to in today’s dating landscape.
During a recent wedding, Lucy encounters Harry, played by Pedro Pascal-a charismatic, affluent financier whose towering presence and wealth make him the quintessential “catch” in the eyes of many. Harry’s interest in Lucy is unmistakable, and he makes it clear he’s only got eyes for her. Meanwhile, an unexpected figure from Lucy’s past, John (Chris Evans), a charming but struggling actor, reappears as a wedding guest. John’s humble background and unfulfilled dreams contrast sharply with Harry’s opulence, raising questions about what truly constitutes happiness and compatibility.
Exploring the Complexities of Love and Materialism
“Materialists” is more than a surface-level exploration of romantic pursuits; it’s a layered critique of consumerist fantasies often glamorized in media like “Sex and the City.” For instance, during the wedding, Lucy’s client experiences pre-wedding jitters, prompting Lucy to remind her of the emotional value behind her decision. She emphasizes that material security, while important, is secondary to feeling appreciated and valued-an insight that resonates deeply in an era where love is often commodified.
Celine Song’s screenplay delves into the gritty realities behind the glittering facades-money, social standing, superficial attractiveness, and even cruelty-are all part of the dating game. The film echoes themes from satirical works like Ruben Östlund’s “Triangle of Sadness” and the incisive relationship dramas of Nicole Holofcener, aiming not to vilify superficial traits but to understand the primal needs they symbolize.
Challenging Taboos and Unveiling Humanity
“Materialists” boldly confronts societal taboos surrounding class, materialism, and self-deception. It questions the romanticized ideals of love by exposing the transactional nature of many relationships. Yet, it also indulges in the very fantasies it critiques-there’s a certain irony in Dakota Johnson, who gained fame from the provocative “Fifty Shades of Grey,” waking up in the luxurious bed of a wealthy man once again. Johnson’s evolution from ingénue to a producer of thought-provoking projects adds layers of intelligence and nuance to her performance.
Pedro Pascal and Chris Evans also deliver compelling portrayals, balancing vulnerability with a touch of rebelliousness, making their characters’ struggles feel authentic and relatable. Their performances underscore the film’s core message: love is messy, imperfect, and often driven by unspoken desires and societal pressures.
A Flawed but Thought-Provoking Narrative
Despite its ambitious themes, “Materialists” doesn’t fully escape its own contradictions. Some characters come across as exaggerated representations rather than fully fleshed-out individuals, and the film’s tonal shifts can feel jarring. While “Past Lives” excelled in capturing subtle emotional exchanges, “Materialists” sometimes struggles with rhythm, oscillating between intimate moments and broader social commentary.
The film’s marketing suggests a light, visually appealing escapade, but midway through, it takes a darker turn, highlighting the perils of modern dating-moral dilemmas, ethical compromises, and emotional vulnerabilities. These moments, while sometimes predictable, serve to deepen the narrative’s exploration of love’s complexities, revealing that even in a world obsessed with material wealth, genuine connection remains elusive and fragile.
A Reflection of Contemporary Love’s Realities
Ultimately, “Materialists” offers a candid, sometimes uncomfortable reflection of love in the 21st century. It questions whether true intimacy can flourish amid societal expectations and material pursuits, or if we’re all just chasing illusions. The film’s tone is a blend of sharp wit, poignant honesty, and a touch of cynicism-an approach that makes it both entertaining and thought-provoking.
As Rainer Maria Rilke famously advised, “Only connect”-a reminder that despite the chaos and contradictions, the human desire for authentic connection persists. Through Celine Song’s distinctive perspective, “Materialists” portrays this ongoing struggle as raw, humorous, and painfully real.
Now playing in select theaters nationwide. Contains mature language and brief sexual content. Duration: 109 minutes.
