The Resurgence of Clipse: A Decade-Long Reunion with a New Perspective
The idea of reuniting a cherished sibling duo after more than ten years seemed almost impossible-yet Clipse has defied expectations. Unlike other recent rap reunions that often feel forced or nostalgic, Pusha T and Malice approach their comeback with a sharp, unflinching focus. Their latest album, their first since 2009’s Til the Casket Drops, showcases a duo that is more mature, introspective, and unyielding than ever, blending gritty storytelling with the wisdom gained through years of experience and personal loss.
Diverging Paths and the Long-Awaited Return
Since their initial split, the Thornton brothers have charted distinct courses. Pusha T, the younger sibling, established himself as a solo artist renowned for his intricate lyricism and street narratives, often dubbed “rap’s Cosa Nostra.” Meanwhile, Malice-who briefly adopted the moniker No Malice-shifted away from drug-centric themes to focus on spiritual and religious music, choosing a more private life over the spotlight. Over the years, fans caught glimpses of a potential reunion through scattered collaborations, but now Clipse officially resumes their journey with Let God Sort Em Out.
A Fresh Take on Familiar Themes
For those familiar with Pusha T’s solo work, the reunion with Malice offers a deeper, more layered exploration of their shared universe. Produced by Pharrell Williams, a longtime collaborator and friend, the album maintains the duo’s signature style-rich in street slang, luxury brand references, and vivid imagery. However, the tone has matured; their lyrics now reflect a nuanced understanding of their past and present, blending bravado with reflection.
In the lead single, “Ace Trumpets,” the duo delivers a display of opulence and confidence, with Pusha’s clever wordplay and Malice’s contemplative tone. Pusha proclaims himself “the Bezos of the nasals,” a nod to his dominance in the rap game, while Malice describes a half-million dollars as “focaccia,” and the diamonds they wear as “pee-pee”-a childish yet striking metaphor that captures their unique lyrical style.
The Duality of Wealth and Threats
While their lyrics often celebrate material success, the underlying message remains gritty and menacing. Throughout the album, Clipse deliver threats of violence, references to death, and warnings to rivals-reminding listeners that their world is one where cost isn’t solely measured in dollars. Pusha T openly admits, “I’ve seen things I’m still not proud to share,” hinting at the darker realities behind their stories of street life.
Reflecting on Loss and Redemption
Let God Sort Em Out is not merely a celebration of their past glories; it’s a reflection on the toll of their lifestyle and the personal losses they’ve endured. The album opens with “The Birds Don’t Sing,” a poignant track that addresses the brothers’ recent experiences with grief, including the passing of their parents. Stevie Wonder’s spoken-word outro adds emotional depth, resonating with anyone who has faced similar heartbreak. Malice’s lyrics about sifting through personal belongings, Bible verses, and last messages evoke the universal process of mourning and finding hope amid despair.
Spiritual Awakening and Personal Growth
Malice’s contributions are particularly introspective, contemplating the spiritual journey that led him back to music. Citing scriptures like John 10:10-“The thief comes only to steal and kill and destroy; I have come that they may have life, and have it to the full”-he explores the costs and rewards of returning to the rap scene. His candid admission, “Came back for the money, that’s the devil in me,” reveals the internal struggle between temptation and purpose, with a hope to make a meaningful impact.
Pusha T’s Personal Reflections
Pusha T also delves into personal grief, touching on the loss of his mother and the pain of his partner’s miscarriage. Yet, his most striking moments come through sharp disses aimed at industry fakes and phonies. Tracks like “Chains & Whips” serve as a gritty, blues-infused critique of betrayal and rivalry, with Pusha and Kendrick Lamar celebrating their victory over a mutual enemy-rap’s “vampire,” Drake.
Pharrell’s Signature Sound and the Album’s Production
Pharrell Williams, serving as the album’s musical griot, crafts some of his most compelling production in years. His beats are off-kilter, hypnotic, and layered with sinister synths and melancholic 808s, creating a haunting atmosphere that complements the lyrical themes. While these tracks are impressive, they don’t quite reach the innovative heights of Pharrell’s work with Chad Hugo in The Neptunes, which historically provided the backbone for Clipse’s most iconic hits.
The Significance of the Reunion
The reunion of Clipse feels overdue, especially considering the potential for a full-fledged collaboration with The Neptunes. Their partnership could have elevated their sound to new heights, but time and circumstances have kept them apart. As Pusha T poignantly states, “So be it, so be it,” acknowledging that not all wounds heal, and some opportunities may never materialize.
Final Reflections
Let God Sort Em Out stands as a testament to growth, resilience, and the complex realities of life in the streets and beyond. It’s a mature, uncompromising album that balances raw storytelling with spiritual introspection, proving that Clipse’s legacy remains as potent as ever-if not more so-after all these years.