Celebrating a Major Milestone: Taylor Swift Secures Ownership of Her Music Catalog
Pop icon Taylor Swift marked a significant achievement in her musical career during an intimate girls’ night out with close friend Selena Gomez in New York City. The duo was spotted enjoying a luxurious dinner at the upscale Monkey Bar in Midtown Manhattan on Saturday, May 31. Meanwhile, Taylor’s romantic partner, Travis Kelce, was attending the annual Elephantine Slick charity concert in Kansas City, which raises funds for pediatric cancer research, as reported by Deuxmoi.
The historic Monkey Bar, connected to the renowned Hotel Elysée, has been a staple of New York’s nightlife since the 1930s. Originally conceived as an elegant piano lounge for the city’s elite, the venue earned its nickname from a whimsical mural of monkeys painted by caricaturist Charlie Vella in the 1950s.
At 35 years old, Swift was in high spirits, especially after announcing on May 30 that she had regained the rights to her original master recordings. Over recent years, she has dedicated considerable effort to re-recording her first six albums, aiming to reclaim control over her early work after years of disputes over her masters.

Background: The Battle Over Her Musical Legacy
Swift’s journey to reclaim her music rights has been fraught with public disputes. In 2019, music mogul Scooter Braun acquired her former record label, Big Machine Records, gaining control of her first six albums. This move sparked a highly publicized feud, with Swift expressing her frustration over losing ownership of her early work. The controversy culminated in Braun selling her masters to Shamrock Capital in 2020 for an estimated $300 million.
On the eve of her latest milestone, Swift surprised fans with a heartfelt letter revealing that she had reached an agreement to purchase her masters from Shamrock, effectively ending her long-standing battle for control. She described her feelings as a whirlwind of memories, hopes, and frustrations, finally giving way to relief and joy.
“I’m trying to organize my thoughts, but right now, my mind feels like a slideshow of all the moments I’ve dreamed about, wished for, and longed for-an opportunity to tell you this news,” she shared. “After nearly two decades of being strung along and having the goal snatched away, I can finally say: all the music I’ve ever created now belongs to me.”

Fans and Friends React to the News
Swift’s supporters flooded social media with messages of congratulations. Her close friend Selena Gomez publicly celebrated her achievement on Instagram, writing, “Yes, you did that, Tay! So proud of you.” The excitement was palpable among her dedicated fanbase, with many referring to themselves as “Swifties” and expressing their happiness for her.
One of her most passionate fans, Taste Flav, who has dubbed himself the “King Swiftie,” took to X (formerly Twitter) to extend his well-wishes: “Congratulations to @taylorswift13! Wishing you peace, happiness, and continued success. Your community is so proud of you!”
Even Scooter Braun, her former adversary, offered a rare note of congratulations, stating, “I am genuinely happy for her,” in an interview with Us Weekly.
Insights into Her Re-Recording Project
Alongside her victory in reclaiming her masters, Swift provided an honest update on her ongoing re-recording efforts, particularly focusing on her 2017 album Reputation. She revealed that she has only completed a fraction of the project, emphasizing the emotional complexity involved in revisiting her past work.
“I haven’t even re-recorded a quarter of it,” she admitted in her letter. “Reputation was such a pivotal album for me-so personal and defining of that chapter in my life. I kept hitting a wall when trying to remake it because of the intense feelings tied to those songs-defiance, longing, misunderstanding, hope, shame, and mischief.”
Despite the challenges, Swift remains committed. She hinted that unreleased vault tracks from the Reputation era might eventually see the light of day, offering fans new material from a period she describes as both tumultuous and transformative.
“This album is unique in my discography, and I initially thought it couldn’t be improved upon through re-recording. But I’m still working on it, and there’s a possibility of unveiling some hidden gems from that time,” she shared.